Formal Training

Up until 2011 I was mainly self taught and I had only taken a few great workshops in watercolor and acrylic. In 2011 I took a workshop with David Gray and quickly realized how crucial studying with other artist's is, plus it is just plain fun! So now I commit to taking one art workshop per year...or more if I can get away with it!

Over the years I have been extremely fortunate to be able to study with the amazing artists below. For years I have followed their work and never dreamed that I would have the opportunity to study with them. Not only are they all utterly amazing artists, but they are all truly amazing teachers and so inspiring just to be around!

Intensive Drawing & Oil Painting Workshops

2017 - Cesar Santos - Portrait Painting Workshop
2016, 2017 - Giorgio Dante - Advanced Figure & Portrait Painting, Drawing and Painting the Figure
2016 - Deborah Tilby
2015, 2014, 2013 - Graydon Parrish - Color Theory Levels 1, Level 2 & Level 3 (level 3 was color theory applied to painting...amazing! - 10 day workshops

2014, 2013, 2012 - Gregory Mortenson - Drawing & Oil Portraiture Painting from Life - Workshop 1, Workshop 2, Workshop 3 - All 5 Day Workshops
2011 - David Gray - Drawing & Oil Portraiture Painting from Life - 3 Day Workshop

Plein Air

2015 - Lalita Hamill & Michael King - Plein Air Painting - 2 days

Acrylic

Alan Wylie (Acrylic and Oil - 2 day workshop)

Sarah Robichaud (Acrylic) - several 2 day workshop

Watercolor

Tatiana Mirkov-Popovicki (Watercolor Portraits - 2 day workshop)

Kiff Holland (Watercolor - 2 day workshop)

Comments

Graydon Parrish Workshop - Fabric Study

Oil on Canvas Board and Set Up I am so fortunate to have had the opportunity to take another workshop with the amazing, talented, generous, patient...I could go on, Graydon Parrish . This is the third time I have had the opportunity to take one of his workshops (see Workshop 1 and Workshop 2 for more info) and every time I am amazed at how much I learn yet how relaxed and fun the process is. When I learn on my own, it is more like a battle of wills and frustration and as I tend to learn by realizing what not to do....and then learning by the process. The workshop was two weeks long during which time Graydon walked us through setting up the still life which he set up as a work of art in itself. He showed us how to determine the colors of the fabric and how the light affects the hue, value and chroma. He had us paint half a sphere and cube with the local color to better understand what we were seeing. We then mixed the color strings we needed by matching the...

Tips for Storing Oil Paint Between Sessions

Well, that was fun, well fun like a long workout is when you are done ;) It definitely helps to have good music when paint mixing as sometimes it can seem like it can take forever to get the exact mix you are looking for. It is so worth it though as there is nothing better than having all of your paint premixed in clean little tubes so that you can squish out fresh paint every time you paint. I have thought of mixing while sipping a glass wine or martini but I am sure I would end up with very sub par mixes ;) I don't premix all my colors but I find it so helpful to premix a flesh palette as I may not get the chance to paint every day, especially in the summer, and there is nothing worse than mixing up your paint and then having to through it all out because it did not keep between sessions. Also, as some days I only have an hour to two to paint and if I have all of my colors premixed, I get to spend almost all of the time painting rather than g...

Quick, Portable Shadow Boxes from Foam Core

Portable Shadow Box I needed to come up with shadow boxes for my Drawing from Life class that are portable, have attached lighting, quick to set up & take down and reasonably cheap. No small order! So shopping I went. I had a several ideas of what I could use, cardboard boxes, black fabric bins...but in the end I decided to go with black foam core. The boxes are made from four pieces of foam core cut to the same size, in this case roughly 13x14". I then taped three pieces together along the longest sides, alternating the side that I taped on. This way the "boxes" fold flat like an accordion in seconds. The third piece of foam core is the same size and sits on top. I wanted to leave the top unattached to keep things portable but also, this way I can slide fabric over the back panel if I choose for different set ups. The base is just black construction paper that I will cut to size. The reason I chose pa...

Tracey Costescu Fine Art

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