Tracey Costescu Fine Art

I often get asked about the materials that I use for my watercolor paintings so I thought I would post a version of my supply list online. I never use student quality materials and honestly feel like nobody should. Working on student grade paper can make even a seasoned watercolor painter feel talentless! Professional quality paint and paper allows even the absolute beginner to feel like they are working with their materials, not fighting against them. Student grade paints may be "cheaper" but they are filled will "fillers" so that it looks like you are getting more paint for your buck.  What you are really getting is a weaker pigment load so you use twice as much paint than you would if you had bought the professional quality.  The luminosity and handling also do not compare.  My advice, buy only three - four tubes to start and mix your own colors.  Your paintings will be more harmonious and you will learn so much about color mixing and how your colors w...

I often get asked what paints, brushes & supplies I use so I thought I would create a post with images for all us visual learners to make sharing the info easier. These are the supplies that I use when I teach my workshops and art classes.  My next class starts in March, please visit http://register.asapconnected.com/EventDetail.aspx?pk=343461 if you would like more information. Brushes   Silver Bristalon Synthetic Round s - Absolutely LOVE these brushes! They allow you to scrub to your hearts content yet the bristles stay together nicely and do not splay.  They may break down over time, but they always retain their shape and you don't get that annoying odd stray hair sticking out the side as you usually do with scrubbing brushes.   Silver Ruby Satin Synthetic - Again love this brush.  Excellent snap, soft yet able to achieve fine control.  Very resilient brush. Rosemary & Co Ivory Long Flat - Love, love these brushes for a...

Grisaille - Oil on Panel - 8x10"  This is the first oil pass of the grisaille for a piece I am working on.  The original drawing can be viewed at http://tcostescu.blogspot.ca/2014/07/shell-leaf-pitcher-study-graphite-on.html   For this painting I transferred the drawing onto the panel using an oil transfer (I will blog about how to do this in the near future). Once the transfer was dry, I did a light burnt umber layer to workout the main values, unfortunately I forgot to take a photo of this step. Next time ;) When the burnt umber layer was completely dry, I used my pre-mixed oil paints from a value of 2 to 9 (2 darkest value, 9 near white value)  At this stage I focused on trying to really correctly record the tilts and angles of my subjects from my still life set up.  Working from life is more challenging than working from a photo but so much more fulfilling as there is just so much more information about the form to work from. The paint is app...

Quick Oil Sketches on Paper For these sketches I was experimenting with different surfaces to paint on for my practice sketches & color studies.  The painting on the far left was done drawn first with charcoal and then painted using a monochromatic values on Arches Oil Paper, the painting in the middle was done with a quick burnt umber sketch with the brush directly on the paper and then overpainted with the monochromatic values (a copy of a painting by John Singer Sargent that does not really look like the original but I loved her look so kept her as is :)) done on gessoed Arches watercolor paper and the painting on the right was painted in the same manner as the Sargent copy but on canvas paper.  My favorite surface by far was the gessoed Arches watercolor paper, although the Arches Oil paper was a close second and I think with a coat of gesso it would be my fav...other than price.  The canvas paper was my least favorite as it is very slipp...