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Showing posts from November, 2014

Sea Shell Study - Color Pass

This is the third stage of the sea shell painting I have been working on.  The first session I painted the open grisaille and the second session I painted the closed grisaille.  This session I use a full color palette of colors that I had premixed.

I mixed up strings of yellow, orange and purple for the shell.  For the cloth I mixed up a string of blue.  Mixing up strings takes a bit of time but make the painting process so much more enjoyable as I do not need to think about color as much and I can focus on just painting.  With the premixed colors, I still need to mix during the painting process, but only small adjustments to shift the value, hue and chroma as needed.

Of course I was making drawing adjustments all the way along. Even if I had done a drawing prior to starting painting I would be doing drawing adjustments but they would be much smaller adjustments.  As I drew directly with paint for drawing, I found I was making much larger drawing adjustments than I normally would be…

Oil Landscape Sketch - Around the Bend

This is another quick little oil sketch I did during the summer when I was trying to get ready for an upcoming Plein Air workshop that I signed up for. 

I worked from my imagination for this one and was experimenting with mixing various greens as I do not paint greenery...at all.  I was quite happy with how the distant mountains turned out.

Working from imagination it turns out is much harder than working from real life, at least for me it is!  When I finally did get to go to the Plein Air Workshop I was pleasantly surprised with how my practice of mixing and trying different brush work paid off and I could just focus on what was in front of me and enjoy the day. 

I am definitely hooked on plein air painting and hope to do some over the winter as well...when it is not raining that is.

Sea Shell Closed Grisaille - Work in Progress

This is the second stage of the sea shell painting I started earlier this week.  The first session I painted the open grisaille which is just a painting completed entirely using very thin layer of an earth color such as burnt umber, burnt sienna or in this case, asphaltum.The toned or white substrate shows through slightly.  I used a flat stiff brush and mineral spirits with the asphaltum to draw out the basic shape of the shell using straight lines and focusing on angles and shapes, trying to not think of the actual object as a shell but as a series of puzzle shapes.

Once the open grisaille was dry, I used my premixed tubes of neutral grays to paint the closed grisaille.  The closed grisaille is a painting usually using neutral grays that allows the artist to focus on the value structure without the complexity of color.  I have values pre-mixed and tubed from a value 2 neutral gray to a value 9, titanium white is a value 10 which I did not use.  Pre-mixing and tubing your oil paints…

Plein Air Landscape Sketch

This is a little oil sketch I did during the summer when I was trying to get ready for an upcoming Plein Air workshop that I signed up for.  I do not usually paint landscapes in oil so it was definitely a challenge but fun to do. 

I painted this one in a couple of hours and learned a lot. Plein air painting is really fun because you are trying to figure everything, color, composition, paint handling, in one go in a very short time so it forces you to make faster decisions than you would normally make.  So much fun!